Hong Kong
AWITA Forecast Sponsored by Hallett Independent
The First Art Insurance Policy:
“Art insurance is believed to have originated in the 19th century when wealthy individuals began insuring valuable collections, highlighting the importance of protecting unique and irreplaceable items like fine art.” - Hallet Independent
At AWITA’s “Hong Kong Forecast” moderated by Enid Tsui (Arts Editor at South China Morning Post and author of new Lund Humphries publication “Art in Hong Kong: Portrait of a City in Flux”), local experts will openly discuss recent changes and the feelings on the ground.
Speakers included:
Dee Poon, President, Brands and Retailing, Tessellation Group and Board Member of M+ Museum
Eunice Tsang, curator based between Hong Kong and Italy, Founder of Current Plans and Associate Curator at M+ Museum
Jaffa Lam Laam, Hong Kong-based artist specializing in large-scale, site-specific and mixed-media works
Mimi Chun, Founder and Director, Blindspot Gallery
Hong Kong’s Art Market Remains Resilient
Art Basel Hong Kong has returned to pre-pandemic gallery numbers, though sales remain flat. Despite global economic challenges, “Hong Kong remains competitive.” The U.S.-China tariff war has little impact, and while NFT hype has faded, interest in digital art persists. Additionally, new fairs, institutional growth (including M+ and Tai Kwun), and developments in Shenzhen and Foshan signal ongoing evolution.
2. Young Collectors Are Shaping the Market
A new wave of collectors from beyond Beijing and Shanghai is emerging, often with international exposure. “They are not just inheriting wealth; they are shaping tastes, embracing digital platforms, and engaging with Asian and global contemporary art.”
3. Global Market Expansion
“Creative expression adapts where it must.” In response to national security laws, artists and curators of every single show definitely have to think about whether they are showing anything now deemed illegal.
4. Hong Kong’s Expanding Cultural Curiosity
Deepening of collaborations and curiosity between Hong Kong and Saudi Arabia, Uzbekistan, and Kazakhstan, broadening Hong Kong’s global influence. There is a consensus there are more visitors to and from these countries.
5. Public & Private Funding Sustain the Art Scene
Private collectors drive experimental programming, while government funding supports infrastructure. Projects still in development, like Skytopia, reflect this balance, with plans to transform the area near Hong Kong International Airport into a dynamic hub for business, tourism, art, and entertainment.
6. Sustainability & Diversification Are Key
Institutions are securing partnerships with brands (e.g., Chanel’s avant-garde film funding) to stay financially and creatively independent.
7. A Rise of Mid-Tier Collectors
The $10,000–$50,000 collector segment is expanding, driven by young, self-sustaining professionals investing in Asian and international artists. This trend supports long-term market stability.
AWITA Forecasts sponsored by Hallett Independent
A specialist firm of knowledgeable private client and art insurance brokers with a shared enthusiasm for art.
Get in touch with the team at enquiries@hallettindependent.com to find out how they can assist you.
The First Art Insurance Policy:
“Art insurance is believed to have originated in the 19th century when wealthy individuals began insuring valuable collections, highlighting the importance of protecting unique and irreplaceable items like fine art.” - Hallet Independent